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The Help

by Kathryn Stockett

Paperback

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Online Price: $16.99

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The Help

Synopsis

This is a film tie-in edition of the massive word-of-mouth hit novel, first published by Fig Tree in 2009 - to accompany the major new film starring Sissy Spacek, Allison Janney, Bryce Dallas Howard and Emma Stone. Enter a vanished and unjust world: Jackson, Mississippi, 1962. Where black maids raise white children, but aren't trusted not to steal the silver...There's Aibileen, raising her seventeenth white child and nursing the hurt caused by her own son's tragic death; Minny, whose cooking is nearly as sassy as her tongue; and, white Miss Skeeter, home from College, who wants to know why her beloved maid has disappeared. Skeeter, Aibileen and Minny. No one would believe they'd be friends; fewer still would tolerate it. But as each woman finds the courage to cross boundaries, they come to depend and rely upon one another. Each is in search of a truth. And together they have an extraordinary story to tell...

Product details

ISBN:
9780241956533
Category:
Modern & contemporary fiction (post c 1945)
Format:
Paperback
Publication Date:
2011-09-29
Publisher:
PENGUIN BOOKS LTD
Country of origin:
United Kingdom
Edition:
Film tie-in ed
Pages:
466
Pagination:
464 pages
Dimensions (mm):
198x129x28mm
Weight:
308g

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Customer Reviews

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  • The Help

    22/10/2011

    Fantastic book!! I loved it!!
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  • The Help

    30/10/2011

    I loved this book, I couldn't put in down. It was one of those books I was sad to finish.
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  • a wonderful moving tale

    12/03/2012

    The Help is the first novel by Kathryn Stockett. Set in the early sixties in Jackson, Mississippi, the story is narrated in three voices: two black maids (help) and a young white woman. Aibileen Clark is a wise Negro woman who has raised 17 white children, and lost a son of her own. She works for Elizabeth and Raleigh Leefolt and derives great joy from their Baby Girl, Mae Mobley, although she is under no illusion that this will last. Minny Jackson is a sassy young Negro with a talent for cooking who has trouble keeping her opinions to herself, a trait that has seen her fired from a great many positions. Her latest job is for newcomers, Celia and Johnny Foote, whom she hopes wont hear of her reputation; Celia, though, is too busy keeping her own secrets. Eugenia (Skeeter) Phelan has just graduated from college, where her Mama hoped she would find a husband, but Skeeter wants to be a writer much more than a wife. She misses her beloved Negro maid, Constantine, who has disappeared and no one will tell her where. When Skeeters writing ambition crystallises into a book about the experiences of black maids in white households, Aibileen and Minny decide to become involved despite the enormous risk.
    This novel touches on many topics, including racial segregation and civil rights and the relationship between Negro employees and their white employers. The feel of the sixties is beautifully evoked with the inclusion of many icons like the Pill, Valium, space exploration, ring pull cans, the Vietnam war, the introduction of Zip codes and sex before marriage. The characters are multifaceted and the dialogue is pitch-perfect. There is humour and heartache, cruelty and kindness, romance and suspense. We learn that revenge is sweet, especially in the form of Minnys Chocolate Pie. The prose is, on occasions, luminous: If chocolate was a sound, it wouldve been Constantines voice singing. The ultimate lesson is that the lines between black and white, between quality and trash, between employer and employee are not as definite as they might at first seem. And, as Aibileen says Kindness dont have no boundaries. One of the dangers of reading a novel with so much hype is the very real possibility that the readers expectations will be too high, and disappointment follows; the exception is, of course, when the novel lives up to the hype, as this one assuredly does. I loved this wonderful, moving story.
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  • the help

    18/09/2011

    I loved this book and we read it also as a book club last year. I recommend it.
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