Rewriting Russia: Jacob Gordin's Yiddish Drama

Rewriting Russia: Jacob Gordin's Yiddish Drama

Synopsis

Jacob Gordin was the first major playwright of the "Golden Age" of New York's Yiddish theater, which was not just entertainment but also a public forum, a force for education and acculturation, and a battleground for ideologies and artistic credos. Gordin, like his audience, was a Russian emigre. His most successful and scandalous dramas--The Jewish King Lear, The Kreutzer Sonata, andKhasye the Orphan--were based on works by Lev Tolstoy and Ivan Turgenev, and reflected a profoundly Jewish means of using literature to salvage a lost land. Gordin's life and his plays held out the tantalizing possibility that by changing the story of one's past, one could write one's own future. Through a detailed examination of Gordin's career in Russia, Barbara Henry dismantles the fictive radical background he invented for himself. In doing so, she illuminates the continuities among his Russian fiction and journalism, his work as a controversial Jewish religious reformer, and his Yiddish plays. Barbara J. Henryis associate professor of Russian literature and Jewish studies at the University of Washington. "Lucid and engaging this study makes an important scholarly contribution to the fields of Yiddish culture, American Jewish history, and Russian Jewish history."-Tony Michels, author ofA Fire in Their Hearts: Yiddish Socialists in New York "A mold-breaking work of literary history as well as a brilliant analysis of literary text."-Jeremy Dauber, author ofIn the Demon's Bedroom: Yiddish Literature and the Early Modern

Product details

If you enjoyed this product share it with others

Customer Reviews

• Be the first to review Rewriting Russia: Jacob Gordin's Yiddish Drama

see all reviews