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A bracing collection of essays about the wide range of innovative but neglected poetry which flourished in journals and presses outside the British mainstream during the period 1970-90. The poets discussedincluding J.H. Prynne, Lee Harwood, Wendy Mulford, Maggie O'Sullivan, and Allen Fisher--rejected the personal and anecdotal emphasis of the Larkin-Heaney-Hughes school of poetry in favor of moder
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