Catalogue Raisonn Of The Pictures Belonging To The Marquis Of Stafford, In The Gallery Of Cleveland House; With Illustrative Ane

Catalogue Raisonn Of The Pictures Belonging To The Marquis Of Stafford, In The Gallery Of Cleveland House; With Illustrative Ane

Synopsis

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1808 Excerpt: ... SMALL-ROOM, AT THI EAST END OF THE OLD GALLERY. Marked I in the Plan. 229. HENDBICK MARTENSZE ZORG. An Interior of an Alehouse. 230. ADAM PYNAKEE. A Landscape, and figures. 231. A. VAN OSTADE. A Lawyer in his study. 232. STEENWYCK. Interior of a Church at Antwerp. 233. DE VLEIGER. A Sea Piece, with Dutch Boats, &c. 234. ADRIAN BRAUER. Dutchmen singing. 235. ADRIAN VAN-DE-VELDE. A Landscape, and cattle. 236. JAN VAN HUYSUM. A Group of Flowers. 237-CORNELIUS DE HEEM. Fruit and Flowers. 238. Van os. Fruit and Flowers. 239-w. ROMEYN. A Landscape, and cattle. 240. KAREL DU JARDIN. Travellers going through water. 241. ALEXANDER KEIRINGS. A Landscape, and figures. 242. W. VAN-DE-VELDE. A Sea Piece. The subject of this picture has been already described at No. 114. 243. JOHN BAPTIST WEENINX. A ruined Portico. 244. N. BERCHEM. A Landscape, and figures. 245. EGIDIUS VAN TILBORGH. Men Regaling. 246. JOHN EINGLEBACK. A Landscape, and figures. 247-PETER VAN LINT. A Musical Party. 248. J. WYCKE, JUN. A Battle Piece. 249-GERARD TERBURGH. Gentleman paying his'addresses to a Lady, 250. O. NETSCHER, A Lady washing her Hands. 251. JAN MI L. Travellers taking Refreshments. 252. PAUL BRILL. Fauns and Nymphs, in a landscape. END OF CATALOGUE. THE FOLLOWING OBSERVATIONS, &c. OH THE PICTURES BY ADRIAN VAN OSTADE, IN THE MARQUIS OF STAFFORD'S COLLECTION, Arefrom the Pen of Humphrey Ilepton, Esq. whose ingenious Essays on Landscape Gardening, &c. are well known to the Literati. Withodt meaning to describe the technical excellencies of the Dutch School, which relate to the pencilling, colouring, or even the composition and clair obscure, I shall confine myself only to the expression: for, however we may prize the exquisite finishing of a picture, yet exact resemblance of vis...

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